Added: March 28, 2009
Tags: Scorehd.com
So many girls did their first hardcore shoots at SCORE. From the early SCORE superstars such as Linsey, Minka and Chloe Vevrier to Sheridan Love, Eva Notty and Mia Khalifa (who was discovered by Dave), SCORE is like a training school. It's a kickstarter for busty girls who want to do porn either as a personal experience or to become porn stars but want to do it in a professional environment, not in some guy's apartment.
Aileen Ghettman came along in 2009. She was 21 years old, a 32H-cup bunny fresh out of college and already a professional dominatrix. She looked nothing like any professional dominatrix I've ever met. Early on, she was intrigued by BDSM. She did things to pain-loving wimps that I won't describe here. Probably the mildest thing she did was give her clients prostate massages.
"I take a Latex glove, and I slide it down my hand and make sure it's not slipping off, that it's on pretty good," Aileen explained. "Then I take my index finger and play around his asshole, then I insert it in his asshole until I hit the prostate. And then I milk the prostate. They just keep cumming and can't stop."
Why SCORE?
"I saw your ad on the Internet, and a friend told me to send in my pictures, and I did. At first, I went back and forth on it, trying to decide what to do, but I finally did it. Guys were always telling me I should be in big-boob magazines."
This was Aileen's first XXX. She did not give JMac a prostate massage. He bored into Aileen's pussy like he was a Texas wildcatter drilling for oil and nutted her face and huge tits when he was done fucking her.
Later on, Aileen was added to the cast of the feature film Boob Science. Six years ago, I wrote, "We hope Aileen sticks around and enjoys a lengthy, happy career in the exciting field of men's mag and web modeling!" That didn't happen. We haven't even gotten so much as a postcard since Aileen's last visit. I have the feeling she's doing webcam these days, but, you know, that's just not the same as a good prostate massage.
